Upstream #158
climavores and men, waffle balance, itâs getting personal, make an effort.
January eh. Watcha gonna do đ¤ˇââď¸. A month of planning. Reaching down. Before we stretch up. Hope youâre coping. Nearly there. Right, letâs go.
âSimplicity is not an end in art, but we usually arrive at simplicity as we approach the true sense of things.â Constantin Brancusi Sculptor (1876-1957)
culture // climavores and men
Weâve had pescetarians, flexitarians and even locavores. Now, make way for the new climate driven labels like climavores, reducetarians and sustainatarians (đ). This âdawn of the climavoresâ report suggests that by 2030, climate will drive our food choices. Hopefully by then, weâll get over the weird eco-gender gap too, where men view sustainability as less masculine đ¤ˇââď¸ (and cause more climate emissions than women). The New Yorker meanwhile asks, whatâs the matter with men, as young US men struggle. Theyâre less likely to top their class, twice as likely to be diagnosed with ADHD, and four times more likely to die from suicide. The rise of hyper masculine clowns like Andrew Tate are a symptom of something bigger. Talk to your boys.
brands // waffle balance
Brand development is an evergreen debate. The hows, whyâs and wherefores. Helen Edwards wrote about how brands are more than a commodity, but how much more? and how Unilever's purpose agenda irritates investors like Terry Smith. He recently attacked the Lux brand, which focusses on "inspiring women to rise above everyday sexism and express their beauty and femininity unapologeticallyâ. He made the point that âlast time I checked, soap was for washingâ, which is fair. Edwards argues though "there is little profit in the underlying commodityâ and how without brands, Unilever is worth a lot less. The key, is finding "meaning that is bigger than the category and yet somehow still connected with itâ. Reach, but donât fall over.Â
technology // itâs getting personal
Mondelez are increasing their investment in digital media from 58% today, to 70% by 2025 and want to see as much as 70% of the creative assets for digital campaigns personalized by 2025. Personalization is the soup of the day. Netflix are doubling down. Theyâre using causal machine learning and algorithms to A/B test creative assets at scale. They want to determine which titles you pick, why and how artwork can help influence you. Algorithmically driven, action orientated creativity is only getting started. But, as this writer points out, personalization is a tactic, not a strategy. Relevance is much more important. Understanding and appealing to multiple, dynamic & contextual identities in each moment (as only machines can do). Donât forget though, brands (and businesses) are still built in public.
creativity // make an effort
HBO's The Last Of Us launched with some cool storytelling including gaming tie-ins, a podcast, Twitch ad placements, immersive in-person experiences and a sold-out New York City theatre event with actors that dispatched 1,500 guests on missions throughout the city. Building storyworlds takes effort, but it can be worth it. The series is already increasing sales of the game, which is part of Sonyâs "beyond the gameâ strategy. Good couple of weeks for effortful creativity too. McDonalds eyebrow arch work was incredibly good, Floraâs TV and outdoor campaign was cool (for a palm oil product) and Reeseâs new work from Mother was damn sexy in all the right ways. Good effort all round.
five random (ish) things:
Slot machines, who knew đ°.Â
Jennifer Coolidge is cool đ.
Welcome to the age of bullshitters đŠ.Â
A short story of friendship and love đ˘.Â
The spectrum of chaos and order ă°.
watching // the divided brain
"The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honours the servant and has forgotten the gift." Albert Einstein. Well worth watching this from Iain McGilchrist.
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